OVERVIEW With the DJM-400, Pioneer has finally made a mid-range mixer that incorporates some of their famous on-board effects, in-demand features and the general style of the popular DJM-600 and 500 mixers. The DJM-400 is like a streamlined DJM-600 with two channels,... but it also has quite a few unique features including Pioneer's new in-loop sampler, kills on the 3 band equalizer and a completely digital 24bit/96Khz mixing bus. FEATURES In terms of basic mixer functions, the DJM-400 is geared towards mix DJs and is set up in standard fashion. There are 2 phono/line RCA inputs, 2 CD RCA inputs with fader start connection, 2 master RCA outputs, and 2 ¼" mic inputs. The crossfader feels similar to the one used in the DJM-500 and DJM-600, but it has been improved for both scratching and durability. The crossfader curve is adjustable with a three position switch, and while it doesn't feature the razor sharp cut that scratch djs demand these days, you can definitely scratch with it and the curve is much sharper than the 600 or 500. In comparison to previous Pioneer mixers, the eq's have been pumped up considerably and now offer a full kill on all three bands (the trim also goes down to kill). The 2 mic channels each have separate level controls with a mic master eq (lo/hi) and an on/off/talkover switch (talkover is activated when you speak into the mic, then all other sound is taken down 20db). The headphone cueing offers all the necessary options for monitoring: both channels and the master output can either be heard on their own, or in any combination (ie: when both channel 1 and master are on, you hear channel 1 in the left headphone and the master in the right). The digital 24bit/96Khz mixing bus is the platform that sets the DJM-400 apart from other mixers in this price range. Not only does it process the sound cleanly and provide an excellent signal for users of digital equipment like Serato and Final Scratch, it also gives the DJM-400 enough power to do all the "intelligent" things like count BPMs, auto synch effects on-beat, run the sampler and more. The effects are the classic set of Delay, Echo, Flanger, Filter, and Phaser plus a couple new ones- Robot and Roll. They are assignable to channel 1, channel 2, mic, or master and are controlled with a depth knob, beat variables (1/1, 2/1, 4/1, etc) and 2 pitch control buttons (+/-). The effects are automatically synched up with your music when you engage the BPM counter. The sampler is something we haven't seen before. Pioneer calls it the "in-loop sampler" and it allows you to automatically loop up 4 beats of a song for on the fly remixes and mashups. In other words, you can set it to record on a drum break or whatever you want, the sampler cleanly grabs 4 beats (note: beats, not bars), then loops them up and stores them in the bank buttons. The time is not variable- it will grab 4 beats whether the song in question is 150bpm or 30bpm- but through messing with your sample points and using the tap-in bpm counter you can actually get pretty creative and do more with it than you'd think. You can also use it to record beatless samples, noises, and acapellas but the playback will still be looped. Playback functions the same way as the effects: you can assign your sample/loop to any channel (ch.1, ch. 2, mic, or main) and control the tempo through the pitch buttons and the volume through the depth knob. There are 5 different banks to store loops, with a total of up to 12 seconds sampling time. OUR OPINION There's no question that the Pioneer DJM-400 offers an awful lot in a relatively small and inexpensive package. The sound quality will be great across the board, even the loops are run through the 24bit/96Khz mixing bus so there is no loss of quality or noticeable downgrade from the source. The effects are always fun, and with the right touch they can make your set that much better. And the in-loop sampler is something we could see being a really useful tool for many DJs. It's unfortunate that Pioneer didn't take it a step further and include the great crossfader that was used in their DJM-707 and 909 mixers, but for anybody who isn't heavily into scratching, this mixer offers plenty room to maneuver and quite a lot to play with.
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